Download Los Apuntes de Contreras. Guitarra de Jazz. Volumen 3: Shell Voicing (Volume 3) (Spanish Edition)By D Toño Contreras
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Los Apuntes de Contreras. Guitarra de Jazz. Volumen 3: Shell Voicing (Volume 3) (Spanish Edition)By D Toño Contreras
Download Los Apuntes de Contreras. Guitarra de Jazz. Volumen 3: Shell Voicing (Volume 3) (Spanish Edition)By D Toño Contreras
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Un enfoque práctico para desarrollar tu vocabulario de acordes de jazz desde el planteamiento de los "Shell Voicings" (acordes sin fundamental). Nivel medio-avanzado. 106 páginas. Más de 100 gráficos. 66 ejercicios y ejemplos de comping sobre standards ("Alone Together", "A Foggy Day", "Lazy Bird", "The Days of WIne & Roses", "Just Friends", "Giant Steps"... Los audios con las secuencias de bajo para acompañar todos los ejemplos y ejercicios están disponibles gratuitamente en la página de Facebook de "Los Apuntes de Contreras". El cuaderno se complementa además con un Anexo (que se adquiere aparte. En preparación) con ejercicios complementarios y ejemplos. This is the volume 3 of a work about jazz guitar chords. In this volume, written in Spanish, I discuss the so called "shell voicing" chords, meaning the chords that contains a basic structure formed by the 3th & the 7th, and one or two tensions or alterations on top. Many exercises and examples are presented in order to master this type of chords in the guitar.
- Sales Rank: #4550623 in Books
- Published on: 2015-11-24
- Original language: Spanish
- Number of items: 1
- Dimensions: 10.00" h x .24" w x 8.00" l, .51 pounds
- Binding: Paperback
- 106 pages
About the Author
Toño Contreras realizó sus estudios de guitarra clásica en el Conservatorio Superior de Sevilla, y de guitarra de jazz en el Berklee College of Music (Boston). Con más de 30 años de experiencia docente, ha ocupado durante diez años una plaza de catedrático de guitarra en el Conservatorio Superior "Rafael Orozco" de Córdoba, donde impartió, además de Guitarra Clásica, las asignaturas de "Improvisación y Acompañamiento" y "Armonía de Jazz aplicada a la Guitarra Flamenca". En el Berklee College of Music estudió guitarra de jazz con Mick Goodrick, Jon Damian, Brett Willmott, Rick Peckham, Jim Kelly y Garrison Fewell, y armonía de jazz, técnicas de improvisación y arreglos con Ed Saindon, Steve Rochinski, Jackson Schultz, Dave Santoro y Ed Tomassi, entre otros, obteniendo la Licenciatura en Guitarra de Jazz con las mejores calificaciones ("Summa Cum Laude"). De vuelta a Sevilla, su ciudad natal, impulsa desde el Conservatorio Superior "Manuel Castillo" la implantación de los estudios superiores de jazz, ocupando desde 2014 la primera cátedra de guitarra de jazz en Andalucía y dirigiendo la Sección de Jazz de dicho Conservatorio. Ha organizado y participado en numerosos festivales y encuentros de jazz, e impartido seminarios, cursos y clases magistrales, principalmente en su región, donde se desarrolla además su actividad concertística. De sus grabaciones destacamos: "Cita en Sevilla" (1985. Abdu Salim Quartet). "La Máquina del Tiempo" (2008. "The Dix Machine"). "Starting Point" (2008. Acompañando a la cantante Ana de Lois Quartet). "Live in Boston" (2011. Toño Contreras Trío).
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